July 2018, Turin: The Game is the Message

Website: digra2018.com

“Games have long since moved out of the toy drawer, but our understanding of them can still benefit from seeing them in a wider context of mediated meaning-making. DiGRA 2018 follows Marshall McLuhan, and sees games as extensions of ourselves. They recalibrate our senses and redefine our social relationships. The environments they create are more conspicuous than their content. They are revealing, both of our own desires and of the society within which we live. Their message is their effect. Games change us.”

July 25-28 2018, Campus Luigi Einaudi, Università di Torino, Turin, Italy.

The websites of DiGRA, the Digital Games Research Association, and DiGRA Italia.

“We invite full papers, 5000 – 7000 words plus references using the DiGRA 2018 submission template (http://www.digra.org/?attachment_id=148233), extended abstracts (from 500 words, maximum 1000, excluding references), and panel submissions (1000 words excluding references, with a 100 word biography of each participant). Full papers will be subject to a double-blind peer review. Extended abstracts will be blinded and peer reviewed by committees organised by the track chairs. Panels will be reviewed by the track chairs and the program chairs. General inquiries should be addressed to Riccardo Fassone – riccardo.fassone AT unito.it. Artist contributions, industry contributions, performances or non-standard presentations should be addressed to Matteo Bittanti – matteo.bittanti AT iulm.it.

Submission will be opened December 1st, 2017, and the final deadline for submission is January 31st 2018. The URL for submissions is https://easychair.org/conferences/?conf=digra2018.

Program chairs are
Martin Gibbs, martin.gibbs AT unimelb.edu.au, University of Melbourne, Australia
Torill Elvira Mortensen, toel AT itu.dk, IT University of Copenhagen, Denmark

Important dates:
Submission opens: December 1st, 2017
Final submission deadline: January 31st, 2018
Results from reviews: March 1st, 2018
Early registration deadline: March 15th, 2018
Reviewed and rewritten full papers final deadline: April 15th, 2018″

Further details regarding the call for proposals are on the website of Frans Mayra.

April 2018, Tampere: Making Games

Website: makinggamesseminar.wordpress.com

“The seminar welcomes contributions relating to all types of games and game making. Traditionally, games have been situated in the public domain – communally created and played – and even today, games are not only created by commercial game studios but also by independent developers, game jammers, students, enthusiasts, experts, and amateurs. In addition, we can identify a wide network of intermediaries ranging from commercial enterprises to non-profits and government agencies that actively shape the ecosystem of game making.

We are seeking submissions from scholars studying different aspects of game making. Prominent work is done in many fields ranging from design research and organizational ethnography to production studies and political economy. We hope that the seminar can address some of the theoretical and methodological approaches that will help us to start to bridge the hitherto disconnected fields.”

24-25 April 2018, The Finnish Museum of Games, Tampere, Finland.

Organised by: gamelab.uta.fi

“Making Games is the 14th annual international spring seminar organized by University of Tampere Game Research Lab. The theme changes each year, as do the expert commentators. The Game Research Lab Spring Seminar is the longest running game studies seminar.”

As I’ve happily said before (several times), the Game Research Lab at Tampere University are also a friendly group of pro-active researchers; the best conference I have ever attended and presented at was their 2007 Gamers in Society seminar.

December 2017, Lisbon: Games and Learning Alliance

Website: conf.seriousgamessociety.org

5-7 December 2017, Lisbon, Portugal.

The past editions of the conference. The deadline for abstracts and submissions is usually sometime in the summer before.

From the conference website: “The Games and Learning Alliance conference (GALA 2017) is an international conference dedicated to the science and application of serious games.

The conference aims at bringing together researchers, developers, practitioners and stakeholders. The goal is to share the state of the art of research and market, analysing the most significant trends and discussing visions on the future of serious games. The conference also includes an exhibition, where developers can showcase their latest products…

…The GALA Conference 2017 Proceedings will be published on Springer Lecture Notes in Computer Science (LNCS) and the best papers in a special issue of the International Journal of Serious Games, as the previous years.”

July 2017, Manassas: Serious Play

Website: seriousplayconf.com

18-20 July 2017, Virginia Serious Games Institute, George Mason University, Manassas, Virginia, USA.

This is an annual conference dedicated to the wider applications of games and play. Consequently, there is less of an academic focus on “serious play”, but more of a cross-sectoral range of discussions. The speakers, drawn from all manner of fields and sectors, demonstrate this.

This year’s conference program.

From the conference website: “Serious Play is a gathering where creators and learning professionals can have critical conversations about game design requirements and share their knowledge with peers. The focus of the conference is exploring opportunities, challenges and the potential of game-based learning.”

July 2017, Melbourne: DiGRA 2017

Website: digra2017.com

3-6 July 2017, Swinburne University of Technology, Melbourne, Australia.

(Text below from the conference website)

DiGRA 2017 will bring together a diverse international community of interdisciplinary researchers engaged in cutting edge research in the field of game studies. DiGRA 2017 is supported by Swinburne University of Technology, RMIT University, the University of Sydney and the University of Melbourne.

The conference welcomes submissions on a wide range of topics associated with studies of games and play, including, but not limited to:

  • Game cultures
  • Games and other cultural forms
  • Communication in game worlds
  • Gender and games
  • Games as representation
  • Minority groups and games
  • Games and childhood
  • The games industry
  • Independent games
  • Games criticism
  • Gaming in non-leisure settings
  • Game studies in other domains
  • Hybrid and non-digital games
  • History of games
  • Game design
  • eSports and spectatorship
  • Platform studies
  • Game production studies

Further information – including registration information – will be available on an expanded conference website by mid-January.

Submission Types

We welcome a range of contributions to DiGRA 2017. These include full papers, extended abstracts, panel and workshop proposals, and doctoral consortium participation, as well as proposals for events and other activities that fall outside the academic tradition.

Full papers will be peer-reviewed, published on the conference website and published in the conference proceedings available via open-access through the DiGRA digital library.

All other submissions will be reviewed by a panel of track chairs and the conference organisers for suitability for DiGRA 2017. These submissions will be published on the conference website, but will not be included in the conference proceedings published through the DiGRA Library.

Nintendo Wii: first impressions

A decade ago to the day, I blogged a review of the Nintendo Wii. It’s informal, unedited and more of a stream of thought, and tips over into fan/enthusiast realm a little too often. But, as I and others await the forthcoming Nintendo Switch console, I’ve found the review and republished it here, mistakes and babbling intact…

+ + + + +

After a week of Nintendo Wii overindulgence, a bit of a ramble.

The Wii itself. Tiny! I mistook it for an external hard drive at first: “Is that really it?”. It’s a small, flat white box with a slot at the front for discs. There’s buttons for eject, reset and power, and the slot lights up when a disc goes in. The sockets in the back are sensibly positioned, and there’s also a USB input; plus, a concealed slot at the front for SD cards from digital cameras.

The packaging in the box is also very un-console like. As Frans in Tampere noted when his arrived, it contains lots of little compartments with various things in them.

Overall, there is a distinctly Apple-Mac style to the whole system, with everything being streamlined, white, with soft corners and hidden sockets and wires. Maybe that’s accidental, maybe deliberate, maybe (suspect strongly) it’s a statement that this is not a huge, testosterone-fuelled souped-up Microsoft-Sony powerbox, but something very different.

The controllers in motion. The controllers are a neat piece of kit, containing no doubt some bedevilling electronic circuitry. Put your hand through the strap and hold it. There’s various buttons on the front, and one button-pseudo-trigger on the back. The controller is quite light in the hand, with the weight increasing noticeably when batteries were inserted. However, thankfully, even after 9 hours of constant Wii play, the controller never started to feel heavy.

And the motion. It’s all about the motion of the player. There’s a Flickr pool of pictures of Wii players in motion that’s worth a look. This is all pretty much the opposite of the old-style sit-still-and-press-buttons mode of game control. The 14 Wii Sports and Play games, between them, take you through a surprisingly large rota of possible motions, twists and turns. In a nutshell:

  • the motion is transferred immediately to the game. Swing the bat in baseball, and see it swing on the screen. No discernable lag (which was my main concern before playing the Wii).
  • in some games, you can plug in a different controller, the nunchuck, which is held in your other hand. This offers extra functionality e.g. move your character with the nunchuck, while targetting your opponent with the other.
  • the controller detects motion in any and every direction. Up, down, left, right, back and forth, sweep to the left or right, and so on. Games such as Laser Hockey and Table Tennis show that the speed of the motion also makes a difference.

Mii creation. Miis are little characters that you create, to be used in Wii games. The editor is simple to use but surprisingly powerful, enabling you to draw recognisable representations of people’s heads.

Miis on the screen

You can either start “from scratch”, or take a head from a gallery and adapt it. There are now 14 Miis stored within my Wii, each based on a person on the island I live on. Librarians in particular have been adept at creating Mii representations of themselves and sharing them.

Where it gets really fun (haven’t tried this yet myself) is that you can let Miis wander off around the net. As Michael Stevens notes:

One of the most exciting things for me about the Wii and it’s Mii characters is the ability to leave your Wii on and connected to the internet. You can set your Miis to “Mingle” and they’ll wander off and visit your friend’s consoles!

When you’ve got some Wiis, you can do various things within the Mii creation centre, such as arranging them in a variety of ways, making them line up or run around.

Wii Sports. Comes with the console; five games plus training and fitness options. You have to stand up for all of these.

Bowling is the most satisfying, and the one we’ve done more than the others. You bowl using normal bowling actions. You can add on various turns and spin if you wish, and either release the ball in a sensible manner or be a complete poser (I wish to stress; this is NOT me):

Someone playing Wii bowling

Unfortunately, there may be a flaw in the game, as one of the locals achieved a high score (three strikes in a row at one point, called a “Strike Turkey”) merely by hurling the ball in almost a cartwheel motion. [Update: no-one here has yet managed four strikes in a row, despite many people trying this over the last few weeks.] We’ll be carrying out more tests to see if she fluked it. For the rest of us, scores were close, and figuring out turn and spin are involving activities. This is fairly physical, but unlike boxing you can play several games in a row without the need for a lie-down and a cup of tea.

Tennis. A likeable game, much better in multiplayer mode than in single player mode. You serve, and can do backhand and normal returns, plus other things we haven’t yet figured. Note: you don’t do the running about – your Mii does that for you on the screen. You just stand there and serve and/or return. We haven’t tried four player mode in this, but suspect that it’ll be a bit chaotic; we may need to do some furniture rearranging first so everyone has enough room to swing their racket/controller without decking an opponent.

Golf. I dislike golf in the real world for a whole load of reasons and cannot bring myself to play this with any enthusiasm. Ask Tiger for a review.

Baseball. This was good. You alternate between pitching and batting, holding the bat and throwing the ball as you would in the game.

Someone playing Wii baseball

The running and catching is done for you. Single player mode and two player mode available; in the latter, one player pitches for a bit while the other bats, then they swap over. However, as the game went on, my arms got progressively more tired. Batting is a good demonstrator of the response of the game to the motion of the controller.

Boxing. Blimey; tiring. You use both the controller and the nunchuck, holding them where your gloves would be. Guard your face and your body. Swerve left and right. Punch and hook. It’s three rounds, with knockouts and countdowns. If you’ve got energetic kids, it’s probably a good one to tire them out. It also acts as a good cardiovascular workout if you can manage to play two or three games in a row; the sweat was pouring off me, but that shows how unfit I am. Visually it’s kinda cartoony in style – no blood or graphic violence, so it’ll be more acceptable to concerned parents, and okay for public use in libraries. I can’t stress enough – this game is physical:

Two people fighting it out through Wii boxing

Training. Ah, this is good. For each of the five sports, you are presented with three differents kinds of task. For example, with bowling, you have to bowl around an increasingly difficult set of obstacles; with golf, you have to hit the ball onto a target area (which made that game at least slightly interesting). Boxing was, as with the game, very strenuous, involving a workout with a punchbag, and also hitting your training partners pads without hitting the partner himself.

Fitness. The session picks three training routines at random for you to do. Similar to Brain Age on the DS, you are awarded a fitness age (mine is currently 25, which as a 38 year old I am very happy at), based on criteria such as balance and stamina.

Wii Play. Nine games; you can sit down for all of these. All the games have 1 or 2 player modes. The disc comes with a controller; as it adds just five pounds to the price of the controller on its own, it’s a no-brainer to buy this.

Non of the games have long-term appeal i.e. you won’t play them every day for a year, but there should be a few in there that you’ll like and keep coming back to. They also serve as an excellent introduction to using the controller. Though these are all simple games, visually (especially cow racing and fishing) they are often very imaginative in design.

Shooting Range. Shoot at balloons, clay pigeons, and flying ducks. Fire at cans to keep them in the air. All very fairground like, and a pleasant introduction to this set of games. As it progresses, you find yourself having to shoot UFOs which are trying to abduct Miis hiding in the long grass.

Find Mii. Simple, but mentally taxing. You have a number of Miis on the screen at the same time, and have to find a matching pair or trio, the odd one out, the fastest moving one, or whichever one is sleeping. Neat variations in display make it gradually harder. The Miis may be running, going down three sets of parallel elevators (hard), or swimming, watching tennis or floating around in space. On the higher levels, it’s dark and you have to shine a torch around madly in order to see the odd Mii or two. Here’s a picture of lots of Miis swimming towards you:

Find Mii

Good in both single and multiplayer mode; this game has obvious positive cognitive benefits e.g. pattern matching, search strategies, memory workout. It also helps tremendously if you’ve created some Miis before playing this game, as those will be easier for you to recognise as opposed to the computer-generated ones.

Table Tennis. Not sure about this. Very little movement of the controller required. One player mode was dull e.g. have a rally of 100 hits which get increasingly quicker. The game also is a little odd to watch, as the hands and bats are disembodied from the rest of the player.

Pose Mii. Bubbles fall from the sky with the outline of your Mii – in a particular pose – in them. Twist the controller to line up your Mii to fit the outline in the bubble, and press the button to get the matching pose. Didn’t grab me, possibly as I find twisting the controller clockwise or anti-clockwise the least natural (or most self-aware) of the movements possible.

Laser Hockey. Basically like the air hockey machines in arcades, but with a neon lit game area and controls. A simple game, the sound effects of which are a bit like Chu Chu Rocket on the Dreamcast. Most goals tend to be own-goals, with you or the console player accidentally knocking the ball back into your goal. Using the ends of your paddle to knock the puck back is a useful tactic for worrying the opponent. Looks both retro, and cleaned up and refined. A good game for post-party chilling out.

Laser Hockey

Billiards. A dull remake of various pool and billiards simulations, with plodding lounge music in the background. Topspin, backspin, select the direction, the usual. The one innovation is that the controller is the cue. Pull back on it and the cue pulls back on the screen; push it forward to hit the cue ball. Okay if you like this genre of game, but otherwise has little to offer.

Fishing. Not too keen on playing this myself, but others here really liked it. There’s a fishing pond (excellently drawn in a cardboard cartoon-style) with some fish in it. Cast, move the float around, pull out a fish that’s biting. Avoid the small fish (minus points) and aim for the bonus fish of the moment (double points). Similar to Sega Bass Fishing on the Dreamcast, but in a much more simplified way.

Charge!. A simple racing game, but instead of cars you use cows. For this game, you hold the controller horizontally between both hands:

Wii Charge!

Tilt to turn; roll forward to accelerate, backwards to brake, and push upwards to jump over hurdles. Collect scarecrows to get extra points. Fun to both play and watch – also everything in the game is knitted! Look closely at this screenshot:

Cow racing. As you do.

The cows, the road, the grass, the sky and clouds; all knitted. From a visual point of view, brilliantly imaginative; one of those things you get only from Nintendo and Sega at their best. In two player mode, it can get hectic (you can make the cows rear up, and knock each other). Possibly the best game in Wii Play; worthy of expansion, with new courses, more cows, more sound effects, and possibly the odd weapon (cow pat?) into a full game.

Tanks! Move your miniature tank around a landscape, avoiding the shells and missiles from other tanks while blowing them up with shells and mines. It’s an isometric view, with a neat laminate flooring effect for the playing area. This can be played with the controller alone, or with the nunchuck added on (easier). I quite enjoy this, as it has a good rate of difficulty increase.

Zelda: Twilight Princess. Yes, it looks great. The controls work fine, and very quickly I was fishing, running, jumping, riding a horse, calling a bird of prey and getting him/her/it to retrieve a cradle, and doing all manner of other things. Very enjoyable.

And the nostalgia is strong. I was an Ocarina of Time player, and spent much (far too much) of two months having fun with that particular game. When you start Zelda: Twilight princess, you immediately hear some of the music from that game. Other elements of the game immediately, and deliberately remind you of Ocarina. The reviews are universally good.

And the area to explore, do things in, and solve puzzles in to progress, looks huge. But this is my personal problem. The game obviously demands a very large time commitment, which I don’t have to give (unless I can find some research funding that is based around playing Zelda for a few months). I could (try and) restrict myself to bite-sized chunks of the game, and spin it out over a year, but will that have the same degree of satisfaction as playing it for a significant part of each day ? And also; is the balance tipped too much towards the nostalgia of Ocarina as opposed to being a new and fresh title?

So, for me, a dilemma, and Zelda stays in its box for now. For other people – if you have the time commitment, and you haven’t played Ocarina of Time, then it’s a strong “buy”.

Should you buy the Wii? Look, it’s cheap compared to the other consoles of this emerging generation. The fun per pound/dollar ratio therefore looks very good. If you have a group of people – of any age or demographic – you’ve got a much higher chance of everyone having a go than for most social activities. Think your grandparents or great-grandparents won’t be interested, or can’t play it? Wrong. Buy one; buy a copy of Wii Play (which comes with a controller) and two more controllers and a nunchuck. And a battery recharger with batteries (see next point). That’s still pretty cheap overall, and you have all the kit for up to 4 people to play at the same time, plus 14 games in total to work through.

A few other notes. Battery life. The controllers use two AA batteries each, and chew through them quickly when the Wii is turned on. Battery life lasts about 30 hours for the ones provided, so when the Wii is not being used, make sure it is turned off (especially if you are using multiple controllers). Even better, get a recharger that can take multiple batteries; otherwise, you may be spending more on batteries than games.

My to-do list:

  • I haven’t touched on the Internet functionality yet, as I haven’t plugged it online. Am intrigued by this, especially the concept of letting my Miis wander off into other people’s Wii console areas. For another day.
  • We also haven’t used the Photo Centre. This is where you can view photo’s (and possibly do other things), which you can load in through the SD card port concealed on the front of the Wii.
  • Also I’ve hardly touched Zelda (see above), and not yet got the Rayman Rabbits game. So, much to do over the next few weeks. The Rayman games in particular looks good, as it consists of around 70 mini-games where you do lots of very silly things, such as milking cows:

Competitive cow milking

Research potential. The Wii is a machine that’s also ideal for the facilities you get in academic institutions, such as lecture rooms kitted out with big screens. Here’s an example, of what I suspect is tennis, being played in a lecture theatre (naughty player on the left is not strapped in):

Auditorium tennis

And if that’s not big enough, it turns out to be relatively easy to do your own Wii sensor set-up; some guys have developed their own sensor bar (cost: 20 dollars) so they can play the Wii on a 344 inch cinema screen.

I’m hearing on the ground that various academic research centres and forward-looking departments are getting a Wii, such as the DigiLab in the Open University. A few minutes of play, and ideas start popping into your head for research projects; I have a feeling this machine may be used a lot across academic disciplines such as game studies, psychology, medical research and sociology. From this perspective, here’s a few quick research ideas for which the Wii is particularly suited:

  • Game interface design; how it differs between traditional games and those playable through motion-actions.
  • First encounters with video games – using motion-input games – by elderly, non-playing or anti-games people. How do they get on? Is their gameplay helped by full instruction and training, as opposed to being left to figure it all out?
  • How gameplayer correlate the real physical motions they do to the onscreen action (but, taking this beyond previous overdone “hand-eye coordination” studies).
  • How gameplayers physically react to onscreen visual, offscreen visual (other players), and audio cues. For example, with the tennis game (which requires only hitting the ball and not running around), why do some people just hit the ball but others go into a “mimic” frame of mind and start (unnecessarily) running around the room as if playing real tennis? And note the previous “cow milking” picture, observing how players often gradually crouch in towards the screen, perhaps in some kind of subconcious hope this give them an edge.
  • Following on from the research and thesis of Dr Jonas Smith, are players behaviour towards each other:
    How players interact
    …affected by the motion-nature of Wii gameplay, as opposed to old-style button-pressing sedentary gameplay?

  • Keyboard replacement: how far can motion-based controllers be taken in replacing the keyboard (and other methods of input) in game play and serious data entry?
  • Combining the motion-centric Wii with different kinds of visual display. There are a couple of intriguing pictures that someone has put on Flickr of their daughter apparently playing the Wii while wearing the Icuiti headset. This simulates having a “floating 42 inch widescreen TV” permanently in front of you. So to summarise; that’s a gaming session with no television and using wireless motion controls – plus, the Icuiti removes the restriction of facing a fixed tv screen all the time. So if the Icuiti came down in price and lived up to it’s publicity, this could become an intriguing combination?
  • Using Wii technology on other computing or gaming platforms. Judging from the number of “I made this” videos on YouTube, this looks relatively easy; for example, here a video of someone explaining how his Wii controller now functions for the game World of Warcraft.
  • Character representation and recognition as Miis; there’s some applications in there for the psychology crowd.
  • Mii culture. It’ll be interesting to see what people do with their Miis, especially as they can be “let loose” online and roam into other peoples Wiis.
  • Operating other stuff using the Wii remote. Seems like there is a constant stream of websites and videos where people have worked out how to program the controller to do something else, such as operating a vacuum cleaner. So what else, of use, can be more effectively controlled using Wii hardware?

There’s also health and medical research potential, including:

  • Cardiovascular benefits from playing games demanding physical response and control. It looks like Nintendo may be actively developing some games with this in mind.
  • Mental, memory and cognitive stimulation through games such as Find Mii.
  • Rehabilitation from physical injury.
  • Gaming as pain management, or a distraction from pain and discomfort. There’s been some research on this previously; the physical nature of Wii games opens up more research possibilities.

Because of the inspiring and thought-provoking nature of the games and gameplay, it’s an absolute must-get for any decent games research centre or group. If, in a few months time, an academic games research centre doesn’t have a Wii in a communal staff area, then it is questionable how serious they really are about video games and gameplay.

Library potential. Yes, it is suitable for use in a public library. The games are okay for people of all ages; the motion aspects of the game mean that it negates the criticism of gameplay being a sedentary activity. The games are very pro-social in nature, almost willing you to try them in multiplayer, as opposed to single player mode. Also, spectators get a lot more fun out of watching people play Wii games than last-generation button pushing titles. The difference now is that you aren’t just watching a game on a tv screen, you are watching real people playing a game that is also represented on a tv screen.

Some libraries are moving quickly on this. The Carnegie Library of Pittsburg acquired a Wii at launch and are using it heavily, as has a public library in North Carolina, while the Rochester Hills Public Library lend out Wii games.

A few words of caution, though. You’ll need a fair bit of space for this activity, especially for four-player games. Also, Wii gameplay, I suspect, is louder than games being played on other consoles – the noise coming from players and spectators. It’s been pretty loud here with a few people playing and watching. The distraction of motion may also cause a problem in some libraries where that isn’t the “done thing”. But maybe that’s a good thing. There’s also an increased danger of equipment being damaged by people who don’t use the strap, but this isn’t a problem with anyone who sensibly “straps up”.

For libraries: there’s no question. If you’ve got a suitable corner where there’s not a problem if it’s a bit noisy, a tv and a couple of hundred pounds, then go for it.

Future potential. It didn’t take long for people to start using the Wii in ways Nintendo hadn’t intended, or even thought about. Making it web-compatible using the Opera browser was a start, as it means that Flash-based applications can be run through the Wii. And so, if you search around the web, you’ll find an instant army of teccies, building Wii-centric stuff. Here’s one example; someone who controls the lighting, heating, security and other house-based functions through his Wii.

Final word: for Nintendo. Kudos for providing a system that is genuinely fun to use, and makes people who have never been interested in games (or even repelled by them) want to “have a go”. Now, please: more innovative, quirky, offbeat and unusual games that make good use of the controllers; and also a few that can tap into wireless DS use, so verbal input can be used.

April 2017, Tampere: Spectating Play

Website: spectatingplay.com

24-25 April 2017, Game Research Lab, University of Tampere, Tampere, Finland.

Organised by: gamelab.uta.fi

“Spectating Play is the 13th annual spring seminar organized by University of Tampere Game Research Lab. The seminar welcomes any and all scholarly work on the intersection of audiences and game/play.” More on this as well on the blog of Frans Mäyrä.

As I’ve happily said before, the Game Research Lab at Tampere University are also a friendly group of pro-active researchers; the best conference I have ever attended was their 2007 Gamers in Society seminar.

It’s also rather pleasant to publish this post on the 99th anniversary of Finland’s independence; I think I have a good idea where there will be an excellent party exactly a year from now…

November 2016, Kraków: Games and Literary Theory

Website: gameslit16.wordpress.com/

18-20 November 2016, Jagiellonian University, Kraków, Poland.

From the conference website: “Games and Literary Theory is an annual conference for scholars of literature interested in expanding the scope of literary theory, and game scholars concerned with adapting the methodological and theoretical approaches of literary theory for the study of games…

This year’s conference will focus on practices of interpretation and close gaming. We understand literary theory as a discipline engaged in general approaches to literature as a practice and as an institution, along with the production and enhancement of reading techniques. Many such reading techniques have successfully been applied in game studies (i.e. semiotics, pragmatics, hermeneutics, formalism, rhetoric, feminism, postcolonial studies), and continue to offer productive critical tools for exploring both games and literary texts. At the same time, however, interpretations of games often serve as case studies that demonstrate the validity of theoretical reasoning, while taking little interest in games in their own right.

Therefore, this year Games and Literary Theory encourages participants to use existing tools for presenting theoretically coherent and intellectually productive close readings and interpretations of specific games. We also welcome proposals that address topics in theory, or more general issues that may be instrumental in bringing together literary theory and game studies.”